Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Gerard ter Borch the Younger
Three Figures conversing in an Interior, known as The Paternal Admonition

ID: 93615

Gerard ter Borch the Younger Three Figures conversing in an Interior, known as The Paternal Admonition
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Gerard ter Borch the Younger Three Figures conversing in an Interior, known as The Paternal Admonition


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Gerard ter Borch the Younger

painted Mother Combing the Hair of Her Child. in 1652  Related Paintings of Gerard ter Borch the Younger :. | A Woman playing a Theorbo to Two Men | Self-portrait. | Paternal Admonition | Seated girl in peasant costume, probably Gesina (1631-90), the painter's half-sister. | Reading a letter |
Related Artists:
John Crome
English Romantic Painter, 1768-1821 was an artist in the Romantic era. Born in the English city of Norwich, John Crome is also known as Old Crome to distinguish him from his son, John Berney Crome, who was also a well-known artist. The son of a weaver, he was apprenticed to a coach painter or sign painter. It is said that he acquired his skills by copying Gainsboroughs and Hobbemas owned by Thomas Harvey of Old Catton, his patron from 1790. The two main influences on his style are considered Dutch 17th century painting and Wilson. Crome went on to become the founder of the Norwich school of painters, of which John Sell Cotman is another famous member. He worked both in watercolour and oil. His oil paintings alone number in excess of 300. Many can be seen at major galleries around the world, including the Tate Gallery and the Royal Academy, but he is also well represented in Norwich itself. He also produced etchings and taught art. One of his pupils was James Stark. Crome's Broad and nearby Crome's Farm.
Naqqash Sinan Bey
the period of 1465-1535
Cazin Jean-Charles
French landscapes painter and ceramist , 1841-Le Lavandou 1901 Painter and ceramicist. His earliest paintings reveal close affinities with the realist tradition, while his later compositions (mostly landscapes of northern France) demonstrate an awareness of Impressionism and a commitment to recording the changing effects of light and atmosphere. He was sent to England for health reasons but by 1862 or 1863 was living in Paris and active in avant-garde artistic circles.






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